Corporate entertainment has one job: give people a reason to arrive, stay and talk to each other. At a client reception that means breaking the ice. At a conference it means holding energy through the evening. At a trade show it means stopping people in the aisle. This guide covers the formats that work in Toronto and the GTA, what they cost, what they need from the room, and how to book them well.
Disclosure: EventPlans.ca’s founder also owns Magic Magic, Circus Universe and Entertainmentverse, which supply some of the acts described here. Their directory listings carry a visible disclosure and get no ranking preference. Prices below are general GTA ranges, not those companies’ rates.
Formats by moment
| Moment | Formats that work | Why |
|---|---|---|
| Arrival and cocktail reception | Strolling close-up magician or mentalist; caricaturist; live jazz or strings; LED or stilt walkers at the entrance | Starts conversations between people who do not know each other, without asking anyone to sit down |
| Dinner and awards | A short stage act of 15 to 25 minutes; a comedian or professional MC; a mentalist for an executive audience | A single shared moment that the room talks about; keeps a long program moving |
| After dinner and the closing party | Live band; DJ with a live sax or percussionist; an aerial or Cyr wheel opener to start the dancing | Signals the change from program to party |
| Trade show booth | A sales magician running short scheduled shows; interactive acts that end with a hand-off to the sales team | Draws a crowd of the right people and gives the reps a reason to talk |
| Team building and offsites | Circus-skills or magic workshops; improv; hosted games | People do rather than watch, which is the point of the day |
Categories and price ranges
Typical GTA ranges in 2026, before 13 percent HST. Prices move with the date, the length of the set, travel and how much the act is scripted to your brand. Get at least two quotes.

| Category | Typical range | Notes |
|---|---|---|
| Close-up magician | From about $650 for a two-hour strolling set | One performer reaches roughly a third to half of a 200-guest room in 25 minutes; book two for larger receptions |
| Stage magician or illusion show | From about $1,500 | Needs a stage, a microphone and agreed sightlines |
| Mentalist | Similar to close-up and stage magic | Suits executive audiences, quieter rooms and after-dinner spots |
| Circus and aerial acts | Roaming performers about $600 to $1,500 each for two hours; aerial priced per act with rigging | Aerial silks need about 6 to 7 m of clear height and certified rigging or a free-standing rig |
| Stilt walkers and LED acts | Similar to roaming performers | Stilts need about 3.5 m of clearance and no low doorways on the route |
| DJ | About $900 to $2,500 | Ask what sound and lighting are included |
| Live band (four-piece) | About $2,500 to $6,000 | Larger bands and horn sections cost more; check stage size and power |
| Comedians and MCs | Varies widely by profile | Ask for clean material and a briefing call |
Matching the act to the room
- Ceiling height decides aerial and stilts. Ask the venue for the clear height under chandeliers and lighting, not the height at the centre of the room. See ceiling height for aerialists.
- Noise decides close-up versus stage. Close-up magic works in a loud reception; a mentalist needs a room that can hear.
- Audience decides tone. Mixed-age and multicultural rooms suit visual acts; executive rooms suit mentalism and wit.
- The venue’s rules decide the rest: in-house audio-visual requirements, rigging approval, open flame and haze. Send every performer’s technical needs to the venue before you book.
Booking well
- Book four to eight weeks ahead for December and spring conference season; popular acts go first.
- Ask for a continuous video of a real corporate set, not a sizzle reel.
- Ask for liability insurance; many venues require a certificate naming them.
- Get a written agreement covering set times, length, technical needs, deposit, cancellation and a substitution clause if the performer is ill.
- Give the performer a green room, a call time, a sound check and a proper introduction. The Academy lesson on working with performers covers the details.
Use the entertainment finder to match formats to your event and room, browse entertainment in the directory, or send the details below and we will pass your request to suitable performers.



